I've never been a frequent journal writer, but I like sharing some of the things that are going on in my life and some of the artwork I am creating with a bunch of also equally talented people. While this won't be written to frequently, I hope that it will have meaning for those who read it.
28 March 2009
I'm learning to let go
Two of my sisters sing with the University of Western Australia Choral Society (UWACS) and they are currently rehearsing the Mass in B Minor by Bach (lots of notes), so I trailed along to rehearsal with them last Wednesday night. Last night, we went to see the Perth equivalent of The Sixteen perform it. The group is only 18 members strong, but they are all professional singers. The choir was fantastic. The Alto and Soprano were okay (enunciation is a good thing, people!). The orchestra was reasonable but they were mostly students from what we could gather (there is no listing in the programme) and they were using early music instruments and to quote my sister Susan "Bach is the reason more modern instruments were invented"
It was performed at St George's Cathedral which is gothic-style but made out of brick, not stone as the only local stone is Limestone and I'm not sure it would be strong enough to hold up that style of structure.
But it was warm. I'm determined to not be like a Wingeing Pom and complain about the heat, but even some of the locals were leaving because it was too hot. Yesterday's daytime temperature was 37 Celcius (98.6 Farenheit) and the Fremantle Doctor was late arriving (about 3am) so the evening was warm. I had taken a light jumper with me just in case the clear skies heralded a cooler night. I needn't have bothered.
27 March 2009
It's great to be home
17 March 2009
A break in service for a little while
Retailers: If you're planning to place an order with Scrapperdashery, I can still fulfill orders from elsewhere in the world. The only two things I can't fulfil are non-stick craft sheet sold by the metre because I have to be here to fulfil a special order like this, and solid-coloured cardstock as my distribution agent doesn't have any in stock at the moment. But all the patterned paper is still there and there are discounts applying until the end of March.
I know you'll be thinking of me and supporting me through this, so thanks in advance for that support.
Judi
8 March 2009
While they were here, Dad helped out on my studio, working on some of the plastering with me. He told me yesterday that my sister-in-law had shown him how to get to my blog so that he could see the studio and he was so chuffed to see that I was nearly completely moved in (I'm not sure that I'll ever be completely moved in).
Unfortunately, I am welcoming my own mortality this week with the news that my father has terminal cancer - leukaemia in fact. I'm 10,000 miles away and feeling rather helpless. We all disagree with our parents at some stages in our lives, and I'm no different. But they are the only ones I've got and knowing that at 40 I'm about to lose one of them is heartbreaking.
So, I'm going home to see him, let them both know how much I love them and share time with my immediate family. So, if I don't respond to queries, questions and anything else as quickly as you would expect, I am sorry and I'll be in touch with you as soon as I can.
7 March 2009
Classes coming up at Stamparty
This Thursday, 12th March:
3.30 - 5.30pm Brayered cards. This is a fantastic technique that I have to give credit to Michelle Zindorf for. Learn how you can stamp images for a completely different effect. Your cards will pop and people will wonder how you managed to get this card looking like it does.
6.30 - 8.30pm Clear Acrylic Albums. Using the new clear acrylic albums from Papermania, we'll do a number of techniques that will enhance the transparency of these albums, involving paper, alcohol inks and other mediums. You can either put photos into this, or not as your choice. Black & White photos will work the best.
Saturday, 21st March:
10.30am - 12.30pm Perfect Pearls. These mica pigment powders are unique in that they have a binder built into the powder, so require no additional input to make them a permanent shimmery addition to your cards and scrapbook pages. This is a technique class and you'll have the opportunity to learn a number of techniques that you can take away with and incorporate into everything you do.
1.30 - 3.3opm. Melting Pot. This is a great class to bundle with the Perfect Pearls class as we'll use them here too. Ultra Thick Embossing Enamel can be used to make all manner of beautiful embellishments and even jewellery pieces. There are so many things to do with the Melting Pot that I'm not sure we'll fit them all into one class - but we'll try!
Wednesday, 25th March:
3.30 - 5.30pm. Grungeboard. It's not chipboard, it's not fabric. What is it? It is one of the most versatile products to come out of the head of Tim Holtz in a long time. Learn a number of things that you can do with this marvellous product.
6.30 - 8.30pm. Decorate a cigar box. If you have been to any of my workshops before, you will know it’s a bit messy but the results are always fantastic. We’ll cover this cigar box in paper, remove the paper hinge and replace it with real hinges and box corners to make a box that will have people wowed.
Wednesday, 15th April:
CANCELLED. Sorry.
Saturday, 25th April:
10.30am - 12.30pm. Creating backgrounds with colour wash. This is a messy class, so don't wear precious clothing. We'll get really messy, making beautiful backgrounds with this industrial-quality fabric dye, change the colour of ribbon and paint with it.
1.30 - 3.30pm. Brayered cards. This is a fantastic technique that I have to give credit to Michelle Zindorf for. Learn how you can stamp images for a completely different effect. Your cards will pop and people will wonder how you managed to get this card looking like it does.
There will be more classes coming up, so come back to see where and when.
1 March 2009
Experimentation Time
I've been doing some experiementation over the last two days - the studio is clean and orders from Stitches have been sent off to dispatch.
This first experiement was a result of a failure - and I coudn't let it go until I'd found out a solution. I ran a sheet of brass through a Cuttlebug embossing folder to produce a fantastic, highly detailed image. But I wanted to crackle it and Distress Crackle paints won't stick to metal. So, I coated the embossed metal with black Gesso, waited for it to dry, then sanded it down to expose the brass underneath. Next time, I know to paint a thinner coat. Then I glooped (that must be the technical term, right?) Black Soot Distress Crackle Paint over the metal and left that to dry. There is a very fine crackle as a result. I sanded it back again, but was unhappy that I couldn't see the crackle all that well because of the black Gesso underneath. So I painted over it with Gold Precious Metal (from Vario), working the paint into all the cracks, then wiping it off the surface before it had a chance to dry thoroughly. I love the effect and the photo just doesn't do it justice.
To finish it up, I wrapped two pieces of gold ribbon around the bottom, stamped a PaperArtsy image in Versamark and embossed it with Ranger Super Fine Detail Gold powder on black cardstock, vcut around the image and mounted it with Pop-Up Glue Dots (Glue Dots UK). I couldn't find my gold mirror card, so I mounted it on a Tomato Paste tube which has been flattened in my Wizard and used the Glue Dots to mount it on a Black Glossy (Ranger) card.
This next piece was more of an experimentation. I met a lovely company at Stitches called Vario (when I find a like to their website, I'll put it up here) and they very kindly gave me some stuff to take home and play with.
This is an A5 gessoed canvas that I picked up from Hobbycraft. I base coated it with Turquoise Precious Metal paint, then stencilled Tim's Time Masks with Gold Precious Metal Paint. I let the whole lot dry thoroughly, put Tim's Time Masks down again and smothered Vario's Transparent Croco (crackle medium) over the top and let it dry. I came back this morning and the cracking is very impressive. However, the transparent Croco had dulled down the Precious Metals, so I went back over with a paint brush and repainted the Gold and Turquoise in.
These mediums are fantastic. The Precious Metals will adhere to all manner of surfaces: glass, ceramic, wood, metal and can still be used in normal applications. They're water-based, so the brushes simply was out. The Croco is best applied with a spatula or foam brush and laid down really thickly. The label says at least 2mm, but I applied it a lot thinner than that in some places and got a beautiful crazed look to the crackle. The best bit, is that I can paint over the transparent to give it colour in particular places. The leaflet even shows it being used on glass. Wow!
Again, the photo just doesn't do this justice. I can't see a way of getting the glistening effect to show up in a photo. You'll just have to come to my studio to see it for yourself.